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Live At The Blue Note (Live At The Blue Note, New York City, NY / October 9-11, 1995) — Stéphane Grappelli

Live At The Blue Note (Live At The Blue Note, New York City, NY / October 9-11, 1995)

Stéphane Grappelli
1996· Telarc
Telarc
El límite físico del rango dinámico.
Cleveland, 1977 · 745 álbumes en Sonora
Erich Kunzel Robert Shaw Lorin Maazel Leonard Slatkin
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Tracklist 59:51
1All God's Chillun Got Rhythm - Live At The Blue Note, New York City, NY / October 9-11, 19953:13
2Night And Day - Live At The Blue Note, New York City, NY / October 9-11, 19954:22
3I Get A Kick Out Of You - Live At The Blue Note, New York City, NY / October 9-11, 19953:17
4It's You Or No One - Live At The Blue Note, New York City, NY / October 9-11, 19953:55
5I Let A Song Go Out Of My Heart - Live At The Blue Note, New York City, NY / October 9-11, 19953:18
6Honeysuckle Rose - Live At The Blue Note, New York City, NY / October 9-11, 19953:58
7'S Wonderful / Someone To Watch Over Me / I Got Rhythm - Medley / Live At The Blue Note, New York City, NY / October 9-11, 19956:54
8Nuages - Live At The Blue Note, New York City, NY / October 9-11, 19956:05
9Daphne - Live At The Blue Note, New York City, NY / October 9-11, 19952:08
10Blue Moon - Live At The Blue Note, New York City, NY / October 9-11, 19953:43
11Do You Know What It Means To Miss New Orleans - Live At The Blue Note, New York City, NY / October 9-11, 19954:57
12Lady Be Good - Live At The Blue Note, New York City, NY / October 9-11, 19952:45
13I'm Thru With Love / I'll Never Be The Same / I Can't Give You Anything But Love - Medley / Live At The Blue Note, New York City, NY / October 9-11, 19956:33
14Sweet Georgia Brown - Live At The Blue Note, New York City, NY / October 9-11, 19954:43
Créditos
Músicos
Producción
John Windtengineer
Gary Gomesengineer
Ken Hamannengineer
Jack Rennerengineer
Robert Woodsexecutive-producer
Arte y Diseño
Donald Elfmanliner notes
El sello
Telarc
“El límite físico del rango dinámico.”

En 1977, Jack Renner y Robert Woods fundaron Telarc en Cleveland con una premisa clara: la alta fidelidad era una necesidad física. Su primer gran hito técnico llegó en 1978 con la Obertura 1812 de Chaikovski, grabada con el sistema Soundstream y cañones reales que obligaban a…

Cleveland, 1977 · 745 álbumes en Sonora
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