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Triple Play — Oscar Peterson

Triple Play

Oscar Peterson
1998· Telarc
Telarc
El límite físico del rango dinámico.
Cleveland, 1977 · 745 álbumes en Sonora
Erich Kunzel Robert Shaw Lorin Maazel Leonard Slatkin
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·CD-83447
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Tracklist 202:37
1Introductions - Live At The Blue Note, New York City, NY / March 16, 19901:58
2Honeysuckle Rose - Live At The Blue Note, New York City, NY / March 16, 19908:53
3Let There Be Love - Live At The Blue Note, New York City, NY / March 16, 199012:02
4Peace For South Africa - Live At The Blue Note, New York City, NY / March 16, 199010:56
5Sushi - Live At The Blue Note, New York City, NY / March 16, 19908:14
6I Remember You / A Child Is Born / Tenderly - Medley / Live At The Blue Note, New York City, NY / March 16, 199015:13
7Sweet Georgia Brown - Live At The Blue Note, New York City, NY / March 16, 19909:35
8Blues For Big Scotia - Live At The Blue Note, New York City, NY / March 16, 19906:28
9Kelly's Blues - Live At The Blue Note, New York City, NY / March 17, 199012:12
10Nighttime - Live At The Blue Note, New York City, NY / March 17, 199010:13
11Love Ballade / If You Only Knew - Live At The Blue Note, New York City, NY / March 17, 199011:00
12You Look Good To Me - Live At The Blue Note, New York City, NY / March 17, 19906:41
13Old Folks - Live At The Blue Note, New York City, NY / March 17, 19906:49
14Reunion Blues - Live At The Blue Note, New York City, NY / March 17, 19907:27
15Song To Elitha - Live At The Blue Note, New York City, NY / March 17, 199012:14
16In A Mellow Tone4:53
17Gee Baby, Ain't I Good To You4:44
18On The Trail7:02
19When My Dream Boat Comes Home8:17
20Ron's Blues8:07
21For All We Know8:38
22Blues For Lisa9:15
23Squatty Roo5:39
24The More I See You6:07
Créditos
Músicos
Lorne Lofskyguitar
Ray Browndouble bass
Benny Carteralto saxophone
Lewis Nashdrums (drum set)
Clark Terryflugelhorn, trumpet
Producción
Jack Rennerrecording
James Bonneyeditor
El sello
Telarc
“El límite físico del rango dinámico.”

En 1977, Jack Renner y Robert Woods fundaron Telarc en Cleveland con una premisa clara: la alta fidelidad era una necesidad física. Su primer gran hito técnico llegó en 1978 con la Obertura 1812 de Chaikovski, grabada con el sistema Soundstream y cañones reales que obligaban a…

Cleveland, 1977 · 745 álbumes en Sonora
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