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Bach: The Harpsichord Partitas — Johann Sebastian Bach

Bach: The Harpsichord Partitas

Johann Sebastian Bach
1982ed. 2012· DOREMI
DOREMI
El rescate obstinado de los grandes intérpretes del siglo XX.
Toronto, 1994
David Oistrakh Sviatoslav Richter Martha Argerich Andrés Segovia
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Tracklist 140:25
1Harpsichord Partita No. 1 in B-Flat Major, BWV 825: I. Prelude1:42
2Harpsichord Partita No. 1 in B-Flat Major, BWV 825: II. Allemande2:09
3Harpsichord Partita No. 1 in B-Flat Major, BWV 825: III. Corrente1:40
4Harpsichord Partita No. 1 in B-Flat Major, BWV 825: IV. Sarabande3:38
5Harpsichord Partita No. 1 in B-Flat Major, BWV 825: V. Minuets I & II3:18
6Harpsichord Partita No. 1 in B-Flat Major, BWV 825: VI. Gigue1:37
7Harpsichord Partita No. 2 in C Minor, BWV 826: I. Sinfonia4:51
8Harpsichord Partita No. 2 in C Minor, BWV 826: II. Allemande2:11
9Harpsichord Partita No. 2 in C Minor, BWV 826: III. Courante1:18
10Harpsichord Partita No. 2 in C Minor, BWV 826: IV. Sarabande2:33
11Harpsichord Partita No. 2 in C Minor, BWV 826: V. Rondeaux1:53
12Harpsichord Partita No. 2 in C Minor, BWV 826: VI. Capriccio2:14
13Harpsichord Partita No. 3 in A Minor, BWV 827: I. Fantasia3:10
14Harpsichord Partita No. 3 in A Minor, BWV 827: II. Allemande1:28
15Harpsichord Partita No. 3 in A Minor, BWV 827: III. Corrente1:47
16Harpsichord Partita No. 3 in A Minor, BWV 827: IV. Sarabande1:52
17Harpsichord Partita No. 3 in A Minor, BWV 827: V. Burlesca1:48
18Harpsichord Partita No. 3 in A Minor, BWV 827: VI. Scherzo0:56
19Harpsichord Partita No. 3 in A Minor, BWV 827: VII. Gigue1:59
20Harpsichord Partita No. 5 in G Major, BWV 829: I. Praeambulum2:40
21Harpsichord Partita No. 5 in G Major, BWV 829: II. Allemande2:22
22Harpsichord Partita No. 5 in G Major, BWV 829: III. Corrente0:59
23Harpsichord Partita No. 5 in G Major, BWV 829: IV. Sarabande2:39
24Harpsichord Partita No. 5 in G Major, BWV 829: V. Tempo di minuetto1:23
25Harpsichord Partita No. 5 in G Major, BWV 829: VI. Passepied1:01
26Harpsichord Partita No. 5 in G Major, BWV 829: VII. Gigue2:17
27Harpsichord Partita No. 6 in E Minor, BWV 830: I. Toccata6:04
28Harpsichord Partita No. 6 in E Minor, BWV 830: II. Allemande1:47
29Harpsichord Partita No. 6 in E Minor, BWV 830: III. Corrente2:31
30Harpsichord Partita No. 6 in E Minor, BWV 830: IV. Air1:44
31Harpsichord Partita No. 6 in E Minor, BWV 830: V. Sarabande4:25
32Harpsichord Partita No. 6 in E Minor, BWV 830: VI. Tempo di gavotta1:43
33Harpsichord Partita No. 6 in E Minor, BWV 830: VII. Gigue3:03
34Harpsichord Partita No. 4 in D Major, BWV 828: I. Ouverture6:40
35Harpsichord Partita No. 4 in D Major, BWV 828: II. Allemande5:33
36Harpsichord Partita No. 4 in D Major, BWV 828: III. Courante2:33
37Harpsichord Partita No. 4 in D Major, BWV 828: IV. Aria1:43
38Harpsichord Partita No. 4 in D Major, BWV 828: V. Sarabande3:43
39Harpsichord Partita No. 4 in D Major, BWV 828: VI. Menuet1:12
40Harpsichord Partita No. 4 in D Major, BWV 828: VII. Gigue4:22
41Overture in the French Style in B Minor, BWV 831: I. Overture8:57
42Overture in the French Style in B Minor, BWV 831: II. Courante2:03
43Overture in the French Style in B Minor, BWV 831: III. Gavottes I & II3:30
44Overture in the French Style in B Minor, BWV 831: IV. Passepieds I & II2:36
45Overture in the French Style in B Minor, BWV 831: V. Sarabande3:41
46Overture in the French Style in B Minor, BWV 831: VI. Bourées I & II2:51
47Overture in the French Style in B Minor, BWV 831: VII. Gigue2:29
48Overture in the French Style in B Minor, BWV 831: VIII. Echo3:26
49Italian Concerto in F Major, BWV 971: I. (Allegro)4:25
50Italian Concerto in F Major, BWV 971: II. Andante3:59
Créditos
Músicos
Robert Kohnenharpsichord
Composición
Producción
Adelheid Glattproducer, recorded
Andreas Glattproducer, recorded
Arte y Diseño
Maria Uyttersprotcover, design
Christian De Bruynecover, photography
Harald Hoerenliner notes
R. Simonsliner notes
El sello
DOREMI
“El rescate obstinado de los grandes intérpretes del siglo XX.”

En 1994, el violinista e ingeniero nuclear Jacob Harnoy fundó Doremi en Toronto con un propósito obsesivo: restaurar grabaciones históricas sin extirparles el alma. Mientras la industria usaba filtros digitales agresivos que esterilizaban el sonido, Harnoy dedicaba hasta cuatr…

Toronto, 1994
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