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Sonora› Clásica Sinfónica› RCA Red Seal› Beethoven: Sonata No. 9, Op. 47 "Kreutzer" in A, Bach: Concerto in D Minor for Two Violins, BWV 1043
Beethoven: Sonata No. 9, Op. 47 "Kreutzer" in A, Bach: Concerto in D Minor for Two Violins, BWV 1043 — Jascha Heifetz

Beethoven: Sonata No. 9, Op. 47 "Kreutzer" in A, Bach: Concerto in D Minor for Two Violins, BWV 1043

Jascha Heifetz
1961· RCA Red Seal
RCA Red Seal
El sello que transformó el virtuosismo en un registro físico.
Nueva York, 1903 · 803 álbumes en Sonora
Jascha Heifetz Artur Rubinstein Arturo Toscanini Enrico Caruso
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Tracklist 45:57
1Violin Sonata in A Major No. 9, Op. 47 "Kreutzer": I. Adagio sostenuto - Presto10:06
2Violin Sonata in A Major No. 9, Op. 47 "Kreutzer": II. Tema - Andante2:22
3Violin Sonata in A Major No. 9, Op. 47 "Kreutzer": II. Variation I1:56
4Violin Sonata in A Major No. 9, Op. 47 "Kreutzer": II. Variation II1:38
5Violin Sonata in A Major No. 9, Op. 47 "Kreutzer": II. Variation III2:29
6Violin Sonata in A Major No. 9, Op. 47 "Kreutzer": II. Variation IV5:12
7Violin Sonata in A Major No. 9, Op. 47 "Kreutzer": III. Finale - Presto7:41
8Concerto for 2 Violins, Strings and Continuo in D Minor BWV 1043: I. Vivace - Redbook Stereo3:44
9Concerto for 2 Violins, Strings and Continuo in D Minor BWV 1043: II. Largo, ma non tanto - Redbook Stereo6:03
10Concerto for 2 Violins, Strings and Continuo in D Minor BWV 1043: III. Allegro - Redbook Stereo4:46
Créditos
Músicos
Jascha Heifetzviolin, solo, violin, performer, viola
Charles Munchconductor
Boston Symphony Orchestraperforming orchestra
Chicago Symphony Orchestraperforming orchestra
Fritz Reinerconductor
Emanuel Feuermanncello
Arthur Rubinsteinpiano
Gregor Piatigorskycello
Izler Solomonconductor
André Benoistpiano
William Steinbergconductor
Brooks Smithpiano
Donald Voorheesconductor
RCA Victor Symphony Orchestraperforming orchestra
London Philharmonic Orchestraperforming orchestra
Sir Malcolm Sargentconductor
NBC Symphony Orchestraperforming orchestra
Arturo Toscaniniconductor
Osian Ellisharp
Israel Bakerviolin
Gabor Rejtocello
William Primroseviola
New Symphony Orchestra of Londonperforming orchestra
Emanuel Baypiano
London Symphony Orchestraperforming orchestra
Alfred Wallensteinconductor
Los Angeles Philharmonicperforming orchestra
Pierre Monteuxconductor
San Francisco Symphonyperforming orchestra
Eugene Ormandyconductor
Cincinnati Symphony Orchestraperforming orchestra
Jesús Maria Sanromápiano
Arnold Belnickviolin
Virginia Majewskiviola
Sir John Barbirolliconductor
Сергей Кусевицкийconductor
Leonard Pennariopiano
Joseph Stepanskyviolin
Malcolm Hamiltonharpsichord
RCA Victor Chamber Orchestraperforming orchestra
Franz Waxmanconductor
Jacob Lateinerpiano
Joseph De Pasqualeviola
Laurence Lessercello
Paul Rosenthalviola, violin
Milton Thomasviola
Stanley Chaloupkaharp
Benno Moiseiwitschpiano
Arpád Sándorpiano
Walter Süsskindconductor
Josef Pasternackconductor
Samuel Chotzinoffpiano
Isidor Achronpiano
Royal Philharmonic Orchestraperforming orchestra
Sir Thomas Beechamconductor
Erick Friedmanviolin
William Waltonconductor
Frieder Weissmannconductor
Janssen Symphony of Los Angelesperforming orchestra
Werner Janssenconductor
Philharmonia Orchestraperforming orchestra
Musical Art Quartetstring quartet
Eugene Goossensconductor
Allan Harshmanviola
William Kapellpiano
The Philadelphia Orchestraperforming orchestra
Walter Hendlconductor
Richard Ellsasserorgan
Pierre Amoyalviolin
Sanford Schonbachviola
[anonymous]performing orchestra
Dallas Symphony Orchestraperforming orchestra
Lillian Steuberpiano
[unknown]performing orchestra
Composición
Jascha Heifetz
Leopold Auer
Producción
Lewis Laytonrecording
John Pfeifferproducer
Richard Mohrproducer
Seth Perkinsrecording
Erik Smithproducer
Kenneth Wilkinsonrecording
Allan Reeverecording
Walter Leggeproducer
Charles O’Connellproducer
[unknown]balance, producer
El sello
RCA Red Seal
“El sello que transformó el virtuosismo en un registro físico.”

En 1903, Eldridge R. Johnson consolidó la marca Red Seal en Nueva York importando las matrices de Enrico Caruso grabadas en Milán. El éxito de esas placas de setenta y ocho revoluciones demostró que la tecnología acústica de la época podía registrar la vibración de una voz ope…

Nueva York, 1903 · 803 álbumes en Sonora
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